RICKIE LEE JONES/RICKIE LEE JONES 180g LP
商品番号
WBLP3296
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メディア
LPs
レーベル
Warner Brothers/Rhino
形 式
Format: Warner Brothers/Rhino 180g LP
商品説明
（和文）
（和文）
2度のグラミー賞受賞のシンガーソングライターのRickie Lee Jones（リッキー・リー・ジョーンズ）の1979年にリリースのセルフタイトルデビューアルバム「Rickie Lee Jones」です。「Chuck E.'s In Love」他全11曲収録。オリジナルのアナログマスターテープから、AcousTechのKevin GrayとSteve Hoffmanによるマスタリングとカットの180g重量盤LPです。
商品説明
（英文）
（英文）
The self-titled debut by Rickie Lee Jones contains an outstanding collection of tunes including the hit "Chuck E.'s In Love".
Her debut on Warners, Rickie Lee Jones, released in 1979, won the Grammy for Best New Artist. She was hailed by one critic as a “highly touted new pop-jazz-singer-songwriter” and another critic as “one of the best--if not the best--artist of her generation.” In addition to the album’s brilliant songs--including the exceptional “On Saturday Afternoons in 1963,” the haunting “Last Chance Texaco,” and the popular “Chuck E’s in Love”--Jones was becoming a figure whose life was bearing a great deal of emulation by young women and men who found, in her deep and personal and idiosyncratic life and work, a model for the new generation of hipster: She was heralded as a trendsetter in dress (beret, subdresses, heels) and in lifestyle, given her by then famous relationship with two boys she helped to make famous, too: Chuck E. Weiss, a Los Angeles character, and the singer and songwriter Tom Waits, about whom Rickie has said: "We walk around the same streets, and I guess it's primarily a jazz-motivated situation for both of us. We're living on the jazz side of life."
"Grounded in jazz, copping its wit from jump blues, the music Ms. Jones made transformed the American musical canon into her private theater and hiding place." The New York Times
Features:
Cut by Kevin Gray and Steve Hoffman at AcousTech Mastering!
From the Original Analog Master Tapes!
Pressed on Virgin 180-Gram Vinyl at Record Technology, Inc.
Her debut on Warners, Rickie Lee Jones, released in 1979, won the Grammy for Best New Artist. She was hailed by one critic as a “highly touted new pop-jazz-singer-songwriter” and another critic as “one of the best--if not the best--artist of her generation.” In addition to the album’s brilliant songs--including the exceptional “On Saturday Afternoons in 1963,” the haunting “Last Chance Texaco,” and the popular “Chuck E’s in Love”--Jones was becoming a figure whose life was bearing a great deal of emulation by young women and men who found, in her deep and personal and idiosyncratic life and work, a model for the new generation of hipster: She was heralded as a trendsetter in dress (beret, subdresses, heels) and in lifestyle, given her by then famous relationship with two boys she helped to make famous, too: Chuck E. Weiss, a Los Angeles character, and the singer and songwriter Tom Waits, about whom Rickie has said: "We walk around the same streets, and I guess it's primarily a jazz-motivated situation for both of us. We're living on the jazz side of life."
"Grounded in jazz, copping its wit from jump blues, the music Ms. Jones made transformed the American musical canon into her private theater and hiding place." The New York Times
Features:
Cut by Kevin Gray and Steve Hoffman at AcousTech Mastering!
From the Original Analog Master Tapes!
Pressed on Virgin 180-Gram Vinyl at Record Technology, Inc.
曲名リスト
1. Chuck E.'s in Love
2. On Saturday Afternoons in 1963
3. Night Train
4. Young Blood
5. Easy Money
6. Last Chance Texaco
7. Danny's All-Star Joint
8. Coolsville
9. Weasel and the White Boys Cool
10. Company
11. After Hours (Twelve Bars Past Goodnight)
2. On Saturday Afternoons in 1963
3. Night Train
4. Young Blood
5. Easy Money
6. Last Chance Texaco
7. Danny's All-Star Joint
8. Coolsville
9. Weasel and the White Boys Cool
10. Company
11. After Hours (Twelve Bars Past Goodnight)
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価 格
3,750円